CAT ON A HOT TIN ROOF by Tennessee Williams

Lies can keep families and society afloat, but inevitably the truth will come out.At Big Daddy’s birthday celebration, the Pollitt family find themselves forced to face their own inner truths; a challenge at which they mostly fail.

This workshop examines issues of family, mas- culinity, homosexuality, and Williams’ recurring theme of alcoholism.Williams has a magical way of showing how the lies we must cling to create a beautiful fragility in us.

Reserve your spotNO CREDIT CARD REQUIRED

TWELVE ANGRY MEN by Reginald Rose

When a single juror stands up against peer pressure and votes “Not Guilty” in a seemingly open and shut case it becomes clear why jurors need to deliberate and discuss the case before them. The defendant is the faceless other – all we know about the defendant is that they are poor, yet the process reveals how both the jurors and the audience project their prejudices onto that person.

In addition to unpacking the narrative, the workshop investigates the construction of characters and other dramatic elements, to present a reading of the play as a study in the power of language and one’s ability to create persuasive arguments.

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A STREETCAR NAMED DESIRE by Tennessee Williams

Two sisters who have lived very different lives, one life founded on a crumbling veneer of aristocratic beauty and whimsy, the other on the brutality and hon- esty of the working class, reunite leading to a clash of personalities and ideas. In the comparison one can’t help but notice a common thread about the beautiful fragility with which we construct our realities.

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BOMBSHELLS by Joanna Murray-Smith

The young woman who needs the dress, the mother fraying at the edges, the older woman who remains a sexual being: comedic stereotypes of women who inhabit our world that explode into deeper truths about being unseen.

In a world of empowered women why does the idea of marrying a taller older man persist? Sometimes the feminist project overlooks the plight of the less radical. Many young people and women feel rejected by feminism: perhaps exploring the invisibility of ‘normal’ women is what is needed to achieve gender equality.

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MEDEA by Euripides

The tale of Medea’s vicious revenge killing of her children strikes at symbols deeply rooted in our culture. Medea is a feminist hero – cutting off patriarchal power at is source as she steals Jason’s heirs. Equally, she is a demon witch and personification of the havoc wreaked by uncontrolled emotions.

The workshop explores key character scenes as well as questions about the chorus and stylistics of Greek drama.

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THE WINTER’S TALE by William Shakespeare

OTHELLO by William Shakespeare

ART by Yasmina Reza

FATHER COMES HOME FROM THE WAR PARTS 1, 2 & 3 by Suzan-Lori Parks

DESDEMONA by Toni Morrison and Rokia Traoré