WOMEN OF TROY by Euripides

Performance

The screams of the of the women of Troy reverberate through time, echoing into the contemporary world. This stylised ensemble piece is a great introduction to the story of the Trojan War but also draws our attention how parable functions in Greek drama through archetype and myth. The tales of Hecuba, Helen, Cassandra, Andromache, and Talthibius become representations of familiar character and social types and categories. The result is a powerful, cathartic production the reaches out to young audiences making this ancient tale relevant and immediate.

Workshop

Through questions and replaying scenes we examine how directorial choices in the production eclipse and highlight certain themes in the text. Alternative readings of Talthibius and Helen tease out mechanisms of institutional violence and the dynamics of relationships shaped by seductive power and the concept of ‘the vixen’. Where time permits, we examine how dramatic moments may have achieve a different of cathartic effect by highlighting individual character voices and less symbolic dramatic choices.

“The mortal who sacks fallen cities is a fool, his own turn must come”

Price (ex GST)

$17 per student  (minimum total fee $1700 )

Reserve your spotNO CREDIT CARD REQUIRED

EXTINCTION by Hannie Rayson

A seemingly simple story about the saving the tiger quoll from extinction contains a complex critique of ‘heroes vs villains’ narratives, highlighting those narratives unsuitability for the modern world. This play deals with a wide variety of possibly interrelated extinctions: the extinction of the Tiger Quoll; the impending threat of Global warming and the extinction of humanity; the extinction of white Pickett fence monogamous heterosexual life partnerships; the extinction of didactic concepts of good and evil. These are just some of the themes that this play subtly mines.

This workshop will provoke questions and give young audiences the tools to explore individual answers to the play and how to tackle the next phase of life on this planet.

“Perhaps extinction is just part of the cycle of life”

Price (ex GST)

$17 (minimum total fee $1,700 )

Reserve your spotNO CREDIT CARD REQUIRED

ROMEO AND JULIET by William Shakespeare

Performance

“I saw Shakespeare, it wasn’t hard, and don’t tell anyone but I may have even liked it.” This is the sort of thing we hear from students after this show. The dramatic style mirrors the narrative, creating an exciting ride for our young audiences. They are drawn into reckless abandon, a world of period costumes, playful sword fights and comedic characters, as Romeo and Juliet fall in love. But then of course the joy and frivolity ruptures and fades as the tragedy sets in and we all fall together.

Workshop

Students are guided to ask questions and talk about the performance; what they understood, what they liked or didn’t. We often hear the comment that Romeo and Juliet is a play about two dumb teenagers and lust. We explore this idea so students see how what seems to be an off-hand comment could form the basis of a valid reading. Then we challenge this idea by looking at different portrayals of the main characters that might make the love-at-first-sight narrative more appealing. Where time and the level of the group permits, we also look at how creative choices can be used to explore essay prompts such as “Who is to blame?” and “Is love or hate the more powerful force?”

“O teach me how I should forget to think”

Price (ex GST)

Short performance only $9.50/pp  (minimum total fee $950 )

Short performance + workshop $11.50/pp  (minimum total fee $1150 )

Reserve your spotNO CREDIT CARD REQUIRED

MACBETH by William Shakespeare

Performance

When an evil person gets what’s coming to them there is no tragedy. This production focuses on the familiar- ity and banality of having desires and ambitions, and how unchecked they can lead to consequences beyond imagination. We focus on the journey of a loving couple, who each want the other to achieve their dreams, but ultimately destroy everything they care about, themselves, and each other.

Workshop

Students are guided to critique the performance, ask questions and delve deeper into interpretive practice by looking at the couple’s relationship, and other monologues as time permits. The scene between Macbeth and “His Wife” before Duncan is murdered is used to explore gender, manipulation, and power. The “unsex me here” monologue continues the discussion about gender introducing ideas about frailty and the supernatural. The “two truths” monologue offers an opportunity for a play full of ambition in tangible, contemporary terms.

“Let not light see my black and deep desires”

Price (ex GST)

Short performance only $9.50 /pp (minimum total fee $950 )

Short performance + workshop $11.50 /pp  (minimum total fee $1,150 )

Reserve your spotNO CREDIT CARD REQUIRED