Main Programs

“The mortal who sacks fallen cities is a fool, his own turn must come”

Performance

The screams of the women of Troy reverberate through time, echoing into the contemporary world. This stylised ensemble piece is a great introduction to the story of the Trojan War but also draws our attention to how parable functions in Greek drama through archetype and myth. The tales of Hecuba, Helen, Cassandra, Andromache, and Talthibius become representations of familiar characters, social types and categories.The result is a powerful, cathartic production that reaches out to young audiences making this ancient tale relevant and immediate.

Workshop

Through questions and replaying scenes we examine how directorial choices in the production eclipse and highlight certain themes in the text. Alternative readings of Talthybius and Helen tease out mechanisms of institutional violence and the dynamics of relationships shaped by seductive power and the concept of ‘the vixen’. Where time permits, we examine how different potential portrayals of the chorus may be used to create a variety of effects.

“I do spy some marks of love in her.”

Performance

This short performance is a joyful bubbling brook of a rom-com with a warning sign that malice, power games and social critique lurk beneath the surface. Is love a virus or a cure? In a world

of deceptions and masks, the lines between romance, violence, desire, and revenge blur. Do we celebrate existing notions of love or deconstruct them and strike courtship down? Can we do both? What is the role of leaders and their relationship to compassion, equality, and justice? Are they the source of our ‘bum jokes’ or elected to maintain the status quo?

Workshop

Where the performance blends light and dark interpretations, our workshop investigates how the text supports more extreme readings. One could see Don John as a comic evil villain or a painful portrait of a man disenfranchised by his birth. Could Hero and Claudio be pure and innocent lovers or representations of the transactional transfer of possessions and influence? And are Beatrice and Benedick profound portraits of the emotional journey of love or courtiers jousting in a world too prudish to talk openly of sex.